Larry Kimpel... "Speaking Of Bass"
Larry Martin Kimpel has carved out a highly successful niche for himself in the music world with class and graciousness. He has played on over 300 CD's and toured around the world with artists such as The Staple Singers, Alanis Morisette, George Duke, Larry Carlton, Maze, and many other icons of the industry. Larry's focus these days is on his music ministry and helping young musicians to realize their true potential through instruction and mentoring.
Saturday, August 11, 2012
Saturday, August 4, 2012
Friday, August 3, 2012
Comment here, or email me @ larrykimpel@me.com
Wednesday, September 29, 2010
Lesson Two: Good Time (Bass Solo w/ The George Duke Band)
Hey Gang, here's a real world example of playing "Good Time". Its a short video of a bass solo I took live onstage with George Duke a while back. Check out my note placement versus where the drums and the rest of the band are playing. You'll hear me "ghost" some passages as well as play "straight time" with the funk lines I create. Try this type of soloing technique the next chance you get and you'll see first-hand what I mean. Enjoy!
Click the link below to view the YouTube video... Peace and Blessings, LK
Thursday, September 23, 2010
Friday, September 17, 2010
A Brief History of The Bass Guitar
Hey Gang, In order to know where we're going, we've got to know where we've been... And with that in mind, I offer you this brief history of our instrument... I hope it informs and enlightens you! Peace, LK
Most of us have been told through the years, that the legend Leo Fender (1909-1991) single-handedly created the modern electric bass guitar. However, I have found out that there were at least five other prototypes resembling the now well-known design of the modern bass, each created well before Fender introduced the world to the Precision Bass in 1951.The modern bass is a kissin' cousin of the upright acoustic bass, which dates way back to the 17th century. Not until the early twentieth century though did that the design evolve to become more practical and of course, portable... Thank God!!!
In the 1920’s, Lloyd Loar, (1886-1943) while working for the Gibson instrument company, designed the first 'electric double bass’.
The bass used an electro-static pickup, but amplification of bass frequencies was as yet undeveloped, so there was no practical way
of hearing the instrument.
of hearing the instrument.
In the early 1930’s, Paul Tutmarc (1896 - 1972) became the first known individual to refine the double bass to a more practical size. The first prototype was about the size of a cello, and featured a rudimentary pickup, but this was found to be too heavy, and the design was refined to be more like a guitar. This new bass was 42 inches long, solid body, made of black walnut and piano strings and, like the previous, featuring a pickup.
In the mid ’30s, several established musical instrument firms - Lyon & Healy, Gibson and Rickenbacker to name a few - began marketing experimental electric basses that were, like Tutmarc’s prototype bass, much less bulky than a standard double bass. However, these were all still tall, unfretted, upright instruments held in the standard vertical position.
Around 1940, Paul Tutmarc Jr. began manufacturing guitars and basses, including the Serenader bass. This was distributed by L.D. Heater Music Co., in Portland, Oregon, and was the first time a large distributor handled the electric bass. The genius was that this new instrument was a bass Guitar - a compact, fretted instrument that could be held and played horizontally. The main features of the design were:
# The pickup - designed because the double bass was often drowned out by the brass sections of jazz bands.
# The size - the double bass player had to travel alone because of the instrument’s size, and often got lost on road trips to shows, due to being separated from the rest of the band. The new compact design meant that the bass player could travel with the rest of the group.
There was very little progression until Leo Fender famously created the Precision bass in 1951. This was named the Precision bass as the frets on the instrument allowed the notes to be played with precision. This was, to many people, the first real electric bass, as it was the most mass-produced and recognisable bass guitar at that time, and still is. Its design is the most copied in bass guitar history. In 1957, the pickup was changed to be a split pickup, and the pickguard and headstock were redesigned.
In 1960, Fender designed and created the Jazz bass, with two separate pickups rather than a split pickup like that of the Precision. The popularity of the Fender basses meant that later followed bass guitars from Gibson, Rickenbacker, and Hofner. This led to a surge of popularity in the modern bass guitar, and led to it being known as it is today - an important part of rock, blues, jazz, funk, reggae and countless other genres of popular music.
In 1959 Danelectro created the first 6 string bass, tunes E A D G B E, and Gibson and Fender used this idea to make the Gibson EB-6 in 1960, and the Fender VI in 1962. Fender created the first 5 string in 1964, with the Fender V.
In 1965 came the first fretless Bass Aubi from Ampeg and in 1968, there appeared an 8 string bass from Hagstrom. The first fretless 6 string, (later owned by Bassist Les Claypool) was built by Carl Thompson in 1978.
Special Thanks to "Bass_Maiden" for the research that went into this article!!!
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